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You are at:Home » It’s the Knife Edge Oscar: Who will win the award for hating Emilia Perez the most? |Marina Hyde
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It’s the Knife Edge Oscar: Who will win the award for hating Emilia Perez the most? |Marina Hyde

Adnan MaharBy Adnan MaharFebruary 7, 2025No Comments5 Mins Read0 Views
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tHe is highly monitorable for the collapse of the award’s Juggernaut Emilia Perez. Honestly, this is a 5 star controversy for a 3-star movie. Every day brings a new hilarity as a hurtful elite entertainment community that was simply trying to do the right thing. Now, in reality, they have a hard time navigating the possibility that everything is involved in a big old sit show. The Oscar campaign takes Zoe Saldanya, who was simply ruined by historic attempts by his co-stars from marginalized communities to alienate several other communities. As she heroically said yesterday, “I allow myself to still experience joy.”

Me too, Zoe. Like many, I gave permission to be interesting.

If you missed this, Emilia Perez is a film musical about a transgender Mexican drug lord. Along with leading roles, Cara Sofia Gascon, the film was nominated for a mass award, with Gascon declared at the Golden Globes. Alas, it appeared via trolls of her old tweets. Muslims, George Floyd, Chinese – they all came to paste. But Hollywood, perhaps the worst thing she did in the eyes of a marginalized community she was trying to impress, was to criticize Oscar. “I didn’t know if I was watching the Afro-Collian Festival, or if I was watching the Black Lives Matter demonstration, or if I was watching the 8m (women’s March),” she said, 2021 Academy Awards. I gave an opinion. “Apart from that, it’s an ugly, ugly galla.” Ah, God. Actual sacrifice.

Emilia Pérez received $13.5 million (£11 million) on a budget of $25 million (not including marketing), so it’s fun to keep reading about it being a hit in cinemas. But as a global television channel, Netflix has different metrics for success, so it will do well enough for them on the platform. What Netflix calls the film awards, instead of removing Gascón’s old tweets, I’d like to know what the full-time Emilia Pérez Awards team, numbered in two digits, was doing. It’s the first day, everyone! The entire shaft must be exploded before the attack miners can get there. Otherwise, Netflix is ​​currently engaged in attempts to firewall other award prospects for the film. They are taking Emilia Perez off of Emilia Perez’s poster. wonderful.

Or is it? Many people will find themselves lost after the cultural distortions of the past few years to the point they might think it is considered a trance erasure. But is it happening in a film that I think many people are involved in some kind of erasure of Mexico? Despite everyone giving every award nomination there, she was Mexico when they flipped author Janine Cummins over the American dirt of her 2020 novel, which studied her in-depth. Because he wasn’t a person? oh dear. What a disaster. It’s as if it wasn’t as simple as we were told to believe it for such a long time.

Zo Saldanya and Cara Sofia Gascon of Emilia Perez. Photo: Shanna Besson/AP

This brings us the most interesting reason why the Emilia Perez controversy is. It exploded precisely the moment there was a necessary conversation about the blow or logical end of cultural politics that has defined the last decade or so.

A few months ago I was chatting with poller James Kanagasoum about something, and he said, “The left tends to have problems.” I feel there’s a good way to put it down. Many people will feel the increasingly illogical rigor of all or invalid deals in recent years of progressivism. It’s as if you can’t consider each subject or cause what you personally consider to be its individual merits. Instead, you need to buy an entire suite of opinions from the shelf and agree to all of them. Otherwise, you will not be “on the wrong side of history.” James pointed out that this was strange. Because outside of the minority of the past, most people in the world are not really like this. His example was that most people in the UK are very professional gay rights, but a significant proportion of this group may support the cause of the non-progression of the death penalty.

Anyway: Emilia Perez. Trans Story! Latin actor! Big Swing Cinema! That’s all good, right? Exception: No. Apparently Mexicans hate it. Apparently trans people hate it. Now, the old liberal academy voters who loved it know that they need to see these controversies and do 180 and hate it. To that superficial whim, Emilia Perez feels like a problem bundle movie, and the implosion of the Star Awards campaign feels like the absurd logical end of this prescription for seeing the world. It was pitched as a progressive victory – now on the “wrong side of history.”

Before we conclude, note: I can’t stand its infantilization, the hector ring phrase. This is the lazy but most successful way of the past decade, and forced someone to agree. If you share your opinion with people on the other side of the supposed disparity, you concur with the idea that it should take into account what makes you and line up with your tribe. What BOL station.

In fact, the current political situation in the United States appears to have been exacerbated by people who implement infinite taxonomy, although not a false aspect of history. It’s enough to make the left wing, who has slammed about polarization, feel that in fact he’s actually invested in it more than the right. The film industry has always been able to come up with large, important films to explore it. And maybe more people will go out and see it.

Do you have any opinions on the issues raised in this article? If you would like to send a response of up to 300 words by email to consider being published in our Letters section, please click here.



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Adnan Mahar
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Adnan is a passionate doctor from Pakistan with a keen interest in exploring the world of politics, sports, and international affairs. As an avid reader and lifelong learner, he is deeply committed to sharing insights, perspectives, and thought-provoking ideas. His journey combines a love for knowledge with an analytical approach to current events, aiming to inspire meaningful conversations and broaden understanding across a wide range of topics.

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