Yeah. That’s a promise we made before we started.
I wonder if people realize that might be part of the reason for the hesitation because it’s like coming out of an addiction for them.
And the funny thing is, the breaks are a little bit of a bait to make people think, “I’ve got this cool break in the middle, so I’m prepared to endure three and a half hours.” What would that look like? ” It’s as if we’re going to ride a new ride that we’ve never experienced before, but in reality we just go outside, go to the bathroom, buy some M&Ms, and have a quick chat about the first half.
But I think we’re in the middle of a pendulum swing when it comes to the industry and moviegoing. I know it’s hard just to get a movie off the ground, so when I watch something and think, “Oh, this wasn’t for me,” I still think, “Oh my God, I really appreciate it.” I will go home thinking about it. For the fact that you did that. ”
Because you know very well how unstable things are.
How do you make movies these days? This doesn’t work, that doesn’t work either, you can’t get this actor, you won’t have any money. When they are offered something out of the blue, they say: I’ll start next week. “It’s like, “Okay, Paul Bettany is out, obviously.” But you just do it. You ride.
It’s funny, over the years people have told me, “L.A. Confidential was the last movie of its kind, and Memento was the first of its kind.” This new style of Chris Nolan filmmaking. It’s amazing to be part of two worlds that are only three years apart. And now, once again, we’re in the midst of this snappy generation with a three-and-a-half hour movie that everyone’s talking about, and I’m very interested to see where it goes in a few years.
